Rhea Speights
Dance Performance and Video
205.344.0598
I am an artist and teacher, specializing in dance and video. I physicalize my ideas through movement and sound and shape and color. My art has been presented in backyards, galleries, and theatre spaces across the United States, as well as in Colombia and New Zealand, with support from the Puffin Foundation, the Verdant Fund, the National Society of Arts and Letters, and an Alabama State Council on the Arts Individual Artist Fellowship. My creative practice is influenced by my experience working with artists that I admire, including Jennifer Monson, Sycamore Toffel, Rebecca Salzer, Jessie Young, and Lynn Bowman. In teaching, I have the opportunity to re-examine my creative methods through my students' perspectives. I believe that the exchange that happens in the classroom is integral to the expansiveness in my art. I have had the privilege to facilitate classes and workshops at Birmingham-Southern College (Alabama), the University of Wisconsin - Milwaukee, the University of Illinois at Urbana-Champaign, Danza Común (Bogotá, Colombia), Roco Dance (California) and various other institutions, festivals, and art centers. I hold an MFA in Dance from the University of Illinois at Urbana-Champaign and a BA in Telecommunication and Film from the University of Alabama. I am a certified Somatic Movement Educator through Body-Mind Centering® and a Clinical Assistant Professor of Dance at the University of Idaho. In 2025, I joined the Body-Mind Centering® Association board of directors.
Local Voyages : summer edition : Transitions
On July 31, 2026, I'll be presenting a new dance work/idea/sketch/germ in Port Angeles, Washington, at the Black Diamond Community Hall. Jessie Young invited me to participate in her curated evening of performance for her series Local Voyages. This summer edition is subititled Transitions. For my contribution, I'm thinking about how my relationship to magic and possibility has changed since childhood through my youth and young adulthood, and now, at 46, what it is that I do with that hope.
Anam Cara
Anam Cara premiered November 20, 2025, at the Hartung Theatre, University of Idaho. Working closely with student dancers, I choreographed a work that responds to the Gaelic concept of anam cara, meaning "soul friend." The choreographic process drew on the text of the same name by Irish poet John O'Donohue for inspiration. Anam Cara was selected to be performed at the American College Dance Association Gala Concert in the Baja Region, February 7, 2026.
Night Blooming
I choreographed Night Blooming with undergraduate and graduate students at the University of Alabama: Micah Courtland, Kate Fleming, Eva Graham, Emily Griffeth, Isa Hanson, Natalie Lutman, and Jordan Prough. With music by Frédéric Chopin and vocalizations by the performers, the dance reflects on our own romantic ideals in comparison to those presented in the ballets La Sylphide and Les Sylphides. Costumes by Tiffany Yeager. Lighting by Lyndell McDonald. Premiered April 2, 2025.
REVOLUTIONS WITH SYCAMORE
Syliva "Sycamore" Toffel and I have been collaborating on a video project, titled Revolutions with Sycamore. With support from the Verdant Fund, our project looks at intergenerational collaboration, being queer in the Southeastern United States, and the knowledge that accumulates in the body over time. Revolutions with Sycamore combines dance film aesthetics with structures of the essay film, and so we digress and meander and chew on many other related and unrelated ideas. The materials we've made and collected are in various states of assemblage. That work can be seen here.
"...brought to mind images of Lake Michigan on a cold, rainy day. I could have watched and listened to this piece for hours."
"this potent work left nerves and emotions exposed, due not only to Speights' choreography, but to her riveting performance."